“Nobody knows anything...... Not one person in the entire motion picture field knows for a certainty what's going to work. Every time out it's a guess and, if you're lucky, an educated one.” - William Goldman. First week of the Storytelling for Screen course at The Screen Arts Institute run by Stephen May, with generous support from the BFI. We beat out the opening scenes of Die Hard and make an educated guess at the protagonist in Ice Age (here's a clue: it's Manny).
Here's a breakdown of THE BIG EIGHT questions to ask when you're watching a film:: 1) What's the Genre? (how is the audience feeling? laugh, cry, fear, dread, indignation?) Most films (esp. for kids) are cross genre. List them in order of importance. 2) Who is the protagonist? 3) What is his/her status quo? (back story prior to inciting incident) 4) What is the event that breaks the status quo? 5) Now that status quo is broken, what is his/her goal? (What does he want? What is unconscious goal? What does he need?) 6) Who or what stands in his way? What are the forces of antagonism? TIME? Satre - 'the beginning of stories is scarcity' - time running out is the essence of drama. Geography, the elements, internal fear. 7) What is at stake? (What is the best thing that could happen? What is the worst thing that could happen? How could the worst thing turn out to be the best thing?) 8) When does the climactic sequence begin and end? First step on a road I'm going to be walking for the next year, by the end of which I'll have a completed screenplay, a bunch of new contacts, and a good chance of getting a film made in the near future. Plus, I'm watching cartoons at 11am on a Wednesday morning. Things could be worse.
2 Comments
28/1/2018 12:42:33 am
As a communication arts student in the past and a media practitioner nowadays, I have to agree with these questions you had above. Film is not just made to get a reaction from us. Most importantly, these are made of us to have something to learn. For us to identify the learnings we could have while watching the movie, you need to have your own checklist and see if the movie you're watching qualified on your checklist. If it is, then that's great to hear!
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STORYTELLING FOR THE SCREENA blog about The Screen Arts Institute's 'Storytelling for the Screen' course, taught by Stephen May and supported by the BFI. Archives
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